Somehow I feel that the radically funny sadness can be seen as some kinda combination of self-hatred and self-pity. 渴求爱又恐惧爱大概是现代都市人的通病?一个未必恰当的类比,这部丧剧拍出了英版Bojack的感觉。如果说第一季仍有剧作技巧cliché之嫌、季末已显重复自我的迹象,那些颓势到了第二季也都变得荡然无存。而第二季的情感力量也比第一季强太多了。怎么能写得这么好,处处给人surprise;Andrew Scott 怎么演个神父都可以这么HOT。